Most of the time I have exactly zero idea of what is going on in 200% Mixed Juice. It introduces and then abandons characters rapid fire, giving them half a minute to establish themselves then banishes them to the shadows as soon as they’re defeated. You’re already supposed to know who they are; the game’s specifically designed that way. It’s a Tenth Anniversary celebration of all the titles published under the Orange Juice doujin of which I’ve played exactly one, QP Shooting Dangerous, which, itself, already assumes you’re familiar with the cast. 200% borrows heavily from that title, but also plucks from the cast of SUGURI, 100% Orange Juice and Red Flying Barrel, among others. I’d imagine that returning fans of the developer (for which there is a decent number) will be overjoyed as the sixty or so cameos are rolled out. It was chaos for me. I’m not adverse to a little slice of chaos.
That these encounters are shot out and then forgotten so quickly means that it’s not really a big deal that you don’t know what they’re talking about. It’s not important to the overall scheme in which all these people exist for only two reasons – to be defeated and to be collected as cards. 200% is a simplified Pokémon-esque RPG spearheaded by a protagonist whose name is protagonist, and is guided by a flying pudding angel called Navi. She’s probably making fun of her Zelda counterpart but stops short of shouting “Hey! Listen” until your ears bleed and instead gets busy declaring war on the fourth wall. What unfolds is pure Japanese bedlam, poking fun at how characters are too similar to each other right down to sharing the same colour scheme or arguing about which dopey overly-energetic girl is the most dopey and overly-energetic. There are speeches about the power of friendship, because of course there are, and enough text drops to make a visual novel jealous.
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Staff review by Gary Hartley (October 26, 2015)
Gary Hartley arbitrarily arrives, leaves a review for a game no one has heard of, then retreats to his 17th century castle in rural England to feed whatever lives in the moat and complain about you. |
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